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ZUM TOD VON Prof. Dr. MARION SAXER
Wir sind sehr traurig: Marion Saxer ist letzte Woche gestorben. Seit unserer Studienzeit in Frankfurt hat Marion unser Ensemble immer wieder umseitig unterstützt und uns im gemeinsamen Austausch inhaltlich und ideell herausgefordert und ermutigt. Mehrere Zusammenarbeiten sind über die Jahre entstanden, unter anderem das Performance-Lab an der Goethe Universität Frankfurt. Von da finden wir eine der…
TRANSIT FESTIVAL BROADCAST
Our premiere of Wieland Hoban’s Razor’s Edge will be broadcast on Klara Live this Tuesday at 10 PM. Stay tuned! Click here to listen…
GOETHE INSTITUT SUPPORTS OUR HUNGARIAN DEBUT
We are very happy to announce that our Hungarian debut at Átlászó Hang New Music Festival Budapest has gained support from Goethe Institut. Our events at Átlászó Hang include open rehearsals and symposiums, culminating in a concert at Zeneakadémia Liszt Ferenc Academy of Music, featuring a premiere by Hungarian composer Judit Varga and pieces by…
REQUIEM FÜR EINEN LEBENDEN PREMIERES AT MÜNCHNER OPERNFESTSPIELE
Long seconds of silence, then heartfelt applause for Requiem für einen Lebenden, premiered in the Münchner Opernfestspiele. A close, intense reflection on the complex problematic of death penalty, by the team Felix Leuschner (composer), Reto Finger (libretto) and Manuel Schmitt (director).Ensemble Interface shares the stage with soloists Ben Daniel Jöhnk, Salome Kammer and Adriana Bastidas-Gamboa. Musical…
SCHIRN MAGAZINE: “WIR KÖNNEN ANDEREN MENSCHEN UNSERE OHREN LEIHEN”
Bettina Berger und Anna D’Errico im Gespräch mit Johanna Laub in der Ausstellung Big Orchestra in der Kunsthalle Schirn: über das Ensemble Interface und seine erste Arbeit im White Cube, Musiktheater und die Freiheit, Dinge neu zu denken. Link zum Artikel Background image: Photo by Marc Krause, courtesy Schirn Kunsthalle Frankfurt
KLANGMØBIL#4_BIG ORCHESTRA : SOUND MOVES AND SHOCKS!
Sound moves and shocks in Schirn Kunsthalle Frankfurt! That’s the mission of KlangMøbil, a performance, sound installation and concert all in one. Want to take one hit? Here are shots of KlangMøbil#4_Big Orchestra, and a video interview with sound sculptor Hans van Koolwijk, to enjoy with extracts of the performance.
TWO WORLD PREMIERES AT TRANSIT FESTIVAL
Interface debuts at Transit with two world premieres and a cutting-edge program! We’re definitely walking on a Razor’s Edge here, as titles Wieland Hoban’s brand new piece, featuring Interface together with the electric guitar of Nico Couck. Belgian composer Maya Verlaak is for the first time to be heard at Transit too, with a world…
NEW SOUNDS IN THE VINEYARDS
After the great success of last edition, the traditional Flötenwanderung in Oestrich-Winkel will be once more accompanied by musical interventions and installations, by and with sound artist Hans van Koolwijk and Ensemble Interface. For the thousand curious visitors that wish to engage themselves with sound and experimentation! With the support of Kulturfonds Frankfurt RheinMain.
NEW RELEASE: DIABELLI MACHINES8
Imagining Beethoven’s Diabelli Variations as a musical time machine, the Diabelli Machines research project exposes productive tensions between Beethoven’s own time, its past, and its future. Diabelli Machines8 contains a CD, a DVD, and a written essay. The recordings, featuring Ensemble Interface, ME21 Collective, HERMESensemble, Paulo de Assis and Jan Michiels, present new pieces, composed…
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