Interface debuts at Biennale Musica with two kaleidoscopic sound experiments.<\/p>\n
A visionary theatre of sounds informs Instrumental Freak Show<\/em> by Giovanni Verrando<\/strong><\/span>, whose research promotes a new idea of sound and lutherie: new instruments with their own grammar and aesthetic, that allow to extend the borders of sonic exploration. This concert-show is conceived in five episodes, each of which presents a specific character through a differentiated instrumental combination and style: in the words of the composer, \u201cdiversity is a powerful engine of the world\u201d.<\/p>\n Instrumental Freak Show<\/em> is commissioned by Ensemble Interface and funded by the Ernst von Siemens Music Foundation<\/a>.<\/p>\n In the second part, Interface presents another sound experiment with De Pr\u00e8s<\/em> by Jean-Luc Herv\u00e9<\/strong><\/span>, which engages the listener through two levels: the frontal, traditional level, with the ensemble onstage, and the immersive level, with \u201clow-volume speakers positioned in the midst of the audience to create an echo of the instruments, whispered into the ears of the spectators\u201d. (J.L. Herv\u00e9)<\/p>\n