{"id":4346,"date":"2018-03-25T18:46:14","date_gmt":"2018-03-25T18:46:14","guid":{"rendered":"http:\/\/www.ensembleinterface.com\/en\/?page_id=4346"},"modified":"2018-03-25T19:59:49","modified_gmt":"2018-03-25T19:59:49","slug":"two-world-premieres-at-festival-bridges-vienna","status":"publish","type":"page","link":"http:\/\/www.ensembleinterface.com\/en\/two-world-premieres-at-festival-bridges-vienna\/","title":{"rendered":"TWO WORLD PREMIERES AT FESTIVAL BRIDGES VIENNA"},"content":{"rendered":"<p>Interface brings two world premieres and a focus on contemporary Austrian music to Wiener Konzerthaus, for the Festival <a href=\"https:\/\/konzerthaus.at\/en\/bridges\" target=\"_blank\" rel=\"noopener\">\u00abBridges\u00bb<\/a>, on April 13-15.<br \/>\n\u00abBridges\u00bb brings ensembles from neighbouring countries and further afield to Vienna to perform contemporary music of Austrian origin (in the widest sense), in the intent of building bridges between audience, composers and performers alike.<\/p>\n<p>Read what composers <a href=\"https:\/\/soundcloud.com\/alexanderkaiser-1\" target=\"_blank\" rel=\"noopener\"><strong>Alexander Kaiser<\/strong><\/a> and <a href=\"https:\/\/soundcloud.com\/javier-quislant\" target=\"_blank\" rel=\"noopener\"><strong>Javier Quislant Garc\u00eda<\/strong><\/a> say on their new pieces:<br \/>\n<div class=\"two_third\">\n<h4>go in and you\u2019ll never come out<\/h4>\n<blockquote><p>\u201cIn dieser Kompostion stehen sich zwei klangliche Zentren gegen\u00fcber. Eines statisch, mechanisch, kaputt. \u00c4hnlich einer knarrenden, mit all ihren Teilen aneinander reibenden Maschine. Das andere hektisch, wild, aufgew\u00fchlt. Eine Schichtung mehrerer unabh\u00e4ngiger Linien, welche zusammen einen fortlaufenden, nach vorw\u00e4rts dr\u00e4ngenden Strom bilden. Beiden liegt die Idee einer immer wieder aufs neue wiederkehrenden, verf\u00e4lschten Wiederholung zu Grunde, die teils geradlinig, teils verflochten zum Vorschein kommt. Die zwei Klangbilder versuchen sich dabei st\u00e4ndig gegen\u00fcber dem anderen zu behaupten. Ausgang ungewiss\u2026\u201d _ Alexander Kaiser<\/p><\/blockquote>\n<\/div><div class=\"one_third last\"><a href=\"https:\/\/soundcloud.com\/alexanderkaiser-1\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-4349\" src=\"http:\/\/www.ensembleinterface.com\/en\/files\/two-world-premieres-at-festival-bridges-vienna\/Alexander_Kaiser-217x300.jpg\" alt=\"\" width=\"160\" height=\"221\" srcset=\"http:\/\/www.ensembleinterface.com\/en\/files\/two-world-premieres-at-festival-bridges-vienna\/Alexander_Kaiser-217x300.jpg 217w, http:\/\/www.ensembleinterface.com\/en\/files\/two-world-premieres-at-festival-bridges-vienna\/Alexander_Kaiser.jpg 400w\" sizes=\"auto, (max-width: 160px) 100vw, 160px\" \/><\/a><\/div><\/p>\n<div class=\"two_third\">\n<h4>Tornasolando el flanco<\/h4>\n<blockquote><p>\u201cThe distorted nature of the sound is the starting point for the formal conception of the piece. In this work, the conception of the nature of sound (as it were conceived in differente sound categories) is closely related to the formal conception (narrative in suspension). From a sound that is characterized by the thematization of its specific characteristics, a new sound is projected in a shifting space. New details and levels are discovered. It is a process of interruption that, in contrast to the developed musical material, appears more and more obvious, and is thematized until it finally manifests itself in the form of an abrupt genesis.\u201d _ Javier Quislant Garc\u00eda<\/p><\/blockquote>\n<\/div><div class=\"one_third last\"><a href=\"https:\/\/soundcloud.com\/javier-quislant\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-4348\" src=\"http:\/\/www.ensembleinterface.com\/en\/files\/two-world-premieres-at-festival-bridges-vienna\/Javier_Quislant-200x300.jpg\" alt=\"\" width=\"160\" height=\"240\" srcset=\"http:\/\/www.ensembleinterface.com\/en\/files\/two-world-premieres-at-festival-bridges-vienna\/Javier_Quislant-200x300.jpg 200w, http:\/\/www.ensembleinterface.com\/en\/files\/two-world-premieres-at-festival-bridges-vienna\/Javier_Quislant.jpg 400w\" sizes=\"auto, (max-width: 160px) 100vw, 160px\" \/><\/a><\/div><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Interface brings two world premieres and a focus on contemporary Austrian music to Wiener Konzerthaus, for the Festival \u00abBridges\u00bb, on April 13-15. \u00abBridges\u00bb brings ensembles from neighbouring countries and further afield to Vienna to perform contemporary music of Austrian origin (in the widest sense), in the intent of building bridges between audience, composers and performers&#8230;<\/p>\n<div class=\"read_more\"><a href=\"http:\/\/www.ensembleinterface.com\/en\/two-world-premieres-at-festival-bridges-vienna\/\">Read More<\/a><\/div>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"fullwidth.php","meta":{"footnotes":""},"class_list":["post-4346","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.ensembleinterface.com\/en\/wp-json\/wp\/v2\/pages\/4346","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.ensembleinterface.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.ensembleinterface.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.ensembleinterface.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.ensembleinterface.com\/en\/wp-json\/wp\/v2\/comments?post=4346"}],"version-history":[{"count":10,"href":"http:\/\/www.ensembleinterface.com\/en\/wp-json\/wp\/v2\/pages\/4346\/revisions"}],"predecessor-version":[{"id":4360,"href":"http:\/\/www.ensembleinterface.com\/en\/wp-json\/wp\/v2\/pages\/4346\/revisions\/4360"}],"wp:attachment":[{"href":"http:\/\/www.ensembleinterface.com\/en\/wp-json\/wp\/v2\/media?parent=4346"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}