{"id":3265,"date":"2014-11-14T16:50:53","date_gmt":"2014-11-14T16:50:53","guid":{"rendered":"http:\/\/www.ensembleinterface.com\/en\/?page_id=3265"},"modified":"2019-11-22T23:29:57","modified_gmt":"2019-11-22T23:29:57","slug":"repertoire","status":"publish","type":"page","link":"http:\/\/www.ensembleinterface.com\/en\/projects\/repertoire\/","title":{"rendered":"Repertoire"},"content":{"rendered":"
\n

\tPatricia \tAlessandrini:\t<\/span> \tEsquisses pour alphabet de t\u00e9n\u00e8bres (2015) \u2013 for flute, clarinet, piano, percussion, violin, cello and electronics \u2013 WP
\n\tPedro \t\u00c1lvarez:\t<\/span> \tDe mares imaginados (2010) for solo flute
\n\tPedro \t\u00c1lvarez:\t<\/span> \tFragments after Cioran (2012) for sextet \u2013 WP
\n\tPedro \t\u00c1lvarez:\t<\/span> \tibid. (2012) for flute and piano – WP
\n\tPedro \t\u00c1lvarez:\t<\/span> \tNew forms of asymmetry (2015) for solo guitar and ensemble \u2013 WP
\n\tPedro \t\u00c1lvarez:\t<\/span> \tSl\u00e0inte! (2010) for piano
\n\tLuis \tAndriessen:\t<\/span> \tZilver (1994) for sextet
\n\tGeorges \tAperghis:\t<\/span> \tLa Nuit en t\u00eate (2000) for soprano and sextet
\n\tDong-Jin \tBae:\t<\/span> \tStille suchen (2006\/07) for violin, piano and percussion – WP
\n\tMark \tBarden:\t<\/span> \tperson\u00e6 for bass flute and bass clarinet
\n\tRobert Christoph \tBauer:\t<\/span> \tDas ferne Reich (2014), for clarinet, violin, cello and piano
\n\tGeorge \tBenjamin:\t<\/span> \tShadowlines (2001) for piano solo
\n\tPierluigi \tBillone:\t<\/span> \tMani.Mono (2007) for solo spring drum
\n\tPierluigi \tBillone:\t<\/span> \t\u0394\u03af\u03ba\u03b7 Wall for solo percussion and ensemble
\n\tWojtek \tBlecharz:\t<\/span> \tTorpor (2008) for violin, bass clarinet, percussion an piano
\n\tWojtek \tBlecharz:\t<\/span> \tK\u2019an (2012) for steeldrum and 130 sticks
\n\tJohannes Boris \tBorowski:\t<\/span> \tChergui (2012) for seven instruments – WP
\n\tPierre \tBoulez:\t<\/span> \tD\u00e9rive I (1984) for sextet
\n\tJason Thorpe \tBuchanan:\t<\/span> \tSoliloquios del viento (2017) for flute, bass clarinet, percussion, piano, violin, cello and electronics – WP
\n\tSylvano \tBussotti:\t<\/span> \tLachrimae (1978)
\n\tJohn \tCage:\t<\/span> \t 4\u201833\u201c (1952)
\n\tJohn \tCage:\t<\/span> \tCheap Imitation (1977) for solo violin
\n\tJohn \tCage:\t<\/span> \tComposed Improvisation (1990) for snare drum
\n\tJohn \tCage:\t<\/span> \tEtudes Boreales (1978) for solo cello
\n\tJohn \tCage:\t<\/span> \tMusic for carillon n.1 (1952)
\n\tJohn \tCage:\t<\/span> \tRadio Music (1956)
\n\tJohn \tCage:\t<\/span> \tSuite for Toy Piano (1948)
\n\tJohn \tCage:\t<\/span> \tThe Wonderful Widow of 18 springs (1942) for voice and piano
\n\tJohn \tCage:\t<\/span> \tVariations IV (1963)
\n\tJohn \tCage: \t<\/span> \tRyoanji
\n\tElliott \tCarter:\t<\/span> \tScrivo in vento (1991) for solo flute
\n\tElliott \tCarter:\t<\/span> \tTriple duo (1983) for sextet
\n\tDiana \tCeremyte:\t<\/span> \tSilhouetten, Schatten, Vision (2011) – WP
\n\tChristopher \tChandler:\t<\/span> \tdeep in liquid indigo (2010)
\n\tVictoria \tCheah:\t<\/span> \tI Watched the tealights hide (2017) for flute, clarinet, violin, cello and electronic playback – WP
\n\tLisa \tCheney:\t<\/span> \tWhen We Speak (2016) for cello and electroacoustic track
\n\tAnthony \tCheung:\t<\/span> \tEnjamb – Infuse – Implode (2006) for sextet
\n\tEun-Hwa \tCho:\t<\/span> \tEt in arcadia ego (2001) for solo piano
\n\tEun-Hwa \tCho:\t<\/span> \tJouissance de la diff\u00e9rence (2009\/10) for ensemble – WP
\n\tEun-Hwa \tCho:\t<\/span> \tProtos chronos (2006)
\n\tEun-Hwa \tCho:\t<\/span> \tTrio (2003)
\n\tYoungmi \tCho: \t<\/span> \tInflorescence – WP
\n\tJongYeoul \tChong: \t<\/span> \tFragments – WP
\n\tSivan \tCohen Elias:\t<\/span> \tAir Pressure (2010) for flute, clarinet, violin and cello
\n\tMathieu \tCorajod:\t<\/span> \tScriptions (2015) \u2013 WP
\n\tGiampaolo \tCoral:\t<\/span> \tUna lontana eco II (2006) for violin, cello and piano
\n\tLucia \tD\u2019Errico:\t<\/span> \tVariation 8
\n\tLucia \tD\u2019Errico: \t<\/span> \tDiabelli Variation n. VIII for sextet – WP
\n\tMichele \tDall\u2018Ongaro:\t<\/span> \tTrio n.2 (2008) for violin, cello and piano
\n\tPaulo \tde Assis: \t<\/span> \tDiabelli Machines #5, after Beethoven\u2019s Diabelli Variations op. 120 – Concept
\n\tClaude \tDebussy: \t<\/span> \tPr\u00e9lude \u00e0 l\u2019apr\u00e8s-midi d\u2019un faune (version for sextet: Michel Mathias) – WP
\n\tRobert \tDick: \t<\/span> \tFlames Must Not Encircle Sides, for solo flute
\n\tFranco \tDonatoni:\t<\/span> \tArp\u00e8ge (1986) for sextet
\n\tGeorgy \tDorokhov:\t<\/span> \tManifest (2009) for three polyfoams and bows
\n\tPeter Ivan \tEdwards:\t<\/span> \tfleepercellimano (2013) for quartet – WP
\n\tHanna \tEimermacher:\t<\/span> \tKannst du diesen verkehrt fliegenden Vogel sehen? (2008) for bass flute and accordion
\n\tJason Balthazar \tEldridge:\t<\/span> \tDisintegration (2017) for clarinet and violin – WP
\n\tAdrienne \tElisha:\t<\/span> \tAnthelion (2009) for sextet
\n\tNiklaus \tErismann:\t<\/span> \tRuinen Schwalben Ruinen (2015) \u2013 WP
\n\tPatrizio \tEsposito: \t<\/span> \t\u2026 While \u2026 for sextet – WP
\n\tPatrizio \tEsposito: \t<\/span> \tD’amor la vecchia canzone per 5 strumenti ed elettronica
\n\tPatrizio \tEsposito: \t<\/span> \tresonating body for sextet – WP
\n\tMorton \tFeldman:\t<\/span> \tFor Frank O’Hara (1973) for six instruments
\n\tMorton \tFeldman:\t<\/span> \tRothko Chapel for soprano, alto, mixed choir and instruments
\n\tMorton \tFeldman:\t<\/span> \tSamuel Beckett, Words and Music (1987) for actors and seven instruments
\n\tMorton \tFeldman:\t<\/span> \tWhy Patterns? (1978) for flute, percussion and piano
\n\tMorton \tFeldman: \t<\/span> \tFour instruments for bells, piano, violin, cello
\n\tBrian \tFerneyhough:\t<\/span> \tFour miniatures (1965) for flute and piano
\n\tSean \tFriar:\t<\/span> \tTeaser (2008) for solo cello
\n\tArturo \tFuentes:\t<\/span> \tFormantes (2009) for flute, bass clarinet, piano
\n\tAshley \tFure:\t<\/span> \tTherefore I was (2012) for cello, piano and percussion
\n\tBeat \tFurrer:\t<\/span> \tAria (1999) for soprano and quintet
\n\tBeat \tFurrer:\t<\/span> \tGaspra (1988) for ensemble
\n\tBeat \tFurrer:\t<\/span> \tVoicelessness. The snow has no voice (1986) for piano
\n\tPaolo \tGalli:\t<\/span> \t …heraus in Luft… for piano, vibraphone, violin and cello
\n\tPaolo \tGalli:\t<\/span> \t. . . heraus in Luft . . .
\n\tMaria Misael \tGauchat:\t<\/span> \tLe cinqui\u00e8me \u00e9l\u00e9ment for quartet
\n\tAda \tGentile:\t<\/span> \tSerene ombre (2011) for violin, cello and piano – WP
\n\tMarta \tGentilucci:\t<\/span> \t\u00dcber (2015) for clarinet, cello, piano
\n\tStefano \tGervasoni:\t<\/span> \tAltra voce [Omaggio a Robert Schumann] (2015-17) for piano and live electronics
\n\tStefano \tGervasoni:\t<\/span> \tPr\u00e9s (selection) for piano solo
\n\tTheodoros \tGkougkousoudis:\t<\/span> \tMETALAXIS (2014), for flute, clarinet, Vibraphone and Piano
\n\tVladimir \tGorlinsky:\t<\/span> \tAccent sequence (2009) for piano and live el.
\n\tDavid \tGorton:\t<\/span> \t[Variation 12-14]
\n\tDavid \tGorton: \t<\/span> \tThree Deleuzabelli Variations
\n\tG\u00e9rard \tGrisey:\t<\/span> \tVortex temporum (1994-96) for sextet
\n\tBeat \tGysin:\t<\/span> \tPuls und Schlag (2012) for sextet – WP
\n\tLars Petter \tHagen: \t<\/span> \tArchive Fever (2015\/16) Live-installation for small ensemble, electronics, visuals – WP
\n\tValentin \tHaller:\t<\/span> \tund doch schwindend (2010) – WP
\n\tTorsten \tHerrmann:\t<\/span> \tMacram\u00e9
\n\tWieland \tHoban:\t<\/span> \tRazor\u2019s Edge (2019) for fretless electric guitar and ensemble – WP
\n\tRobin \tHoffmann: \t<\/span> \tBirkhahn-Studie for Birkhahn-Locker (2005)
\n\tJason \tHuffmann:\t<\/span> \tParabolysis (2010) for quintet
\n\tTunk-Yunk \tHung:\t<\/span> \tSprichwort, Zitat, Zungenbrecher (2010) – WP
\n\tPhilippe \tHurel:\t<\/span> \tTombeau, in Memoriam G\u00e9rard Grisey (1999) for piano and percussion
\n\tClara \tIannotta:\t<\/span> \tD\u2019apr\u00e8s for ensemble (Swiss premiere)
\n\tClara \tIannotta:\t<\/span> \til colore dell\u2019ombra (2010) for violin, cello and piano
\n\tMartin \tIddon:\t<\/span> \tcrinaeae (2015) for flute, clarinet, piano, percussion, violin, cello \u2013 WP
\n\tGregorio \tJim\u00e9nez:\t<\/span> \tLos Misterios de Mitra (2009) for flutes and electronics
\n\tYang \tJing:\t<\/span> \tIm Fluss (2015) \u2013 WP
\n\tOscar \tJockel:\t<\/span> \t300 (2014), for flute, bass clarinet, violin, cello and piano
\n\tYoungbin \tJung:\t<\/span> \tGrande Bagatelle, for 6 instruments
\n\tAlexander \tKaiser:\t<\/span> \tgo in and you’ll never come out (2017-2018) for flute, clarinet, cello and piano – WP
\n\tJi Young \tKang:\t<\/span> \tGesang der Ewigkeit II (2009) for bass flute and cello
\n\tJonghee \tKang:\t<\/span> \tDrawing (2012) for quintet
\n\tAndrzej \tKara\u0142ow:\t<\/span> \tImploded Aglomeration (2017) for cello, percussion and piano – WP
\n\tStefan \tKeller:\t<\/span> \tKraft in Erscheinung (2012) for seven instruments \u2013 WP
\n\tNathan \tKelly:\t<\/span> \tHarbor Music for flute and harp
\n\tAdam \tKennaugh:\t<\/span> \tGlass (2017) for violin and bass clarinet – WP
\n\tSergey \tKhismatov:\t<\/span> \tPrimordial Soup (2019) for ensemble – WP<\/p>\n<\/div>\n

\n

\tDhonghee \tKim:\t<\/span> \tReflexion (2010) for clarinet, piano and percussion – WP
\n\tHeera \tKim:\t<\/span> \tPan (2009) for sextet – WP
\n\tChunghoon \tKim: \t<\/span> \tSoft cut – WP
\n\tPanayiotis \tKokoras:\t<\/span> \tDelirium (2008) for amplified flute, cello and piano
\n\tPanayiotis \tKokoras:\t<\/span> \tSound Theater Act II (2012) for sextet – WP
\n\tAndrew \tKoss:\t<\/span> \tThe Constant Search for Something Else (2017) for flute, clarinet and piano – WP
\n\tHelmut \tLachenmann:\t<\/span> \tDal niente (Int\u00e9rieur III) (1970) for clarinet
\n\tHelmut \tLachenmann:\t<\/span> \tEin Kinderspiel for piano (1980)\t\tH\u00e4nschen klein \/ Wolken im eisigen Mondlicht \/ Akiko \/ Falscher Chinese, ein bi\u00dfchen besoffen \/\tFilterschaukel \/ Glockenturm \/ Schattentanz
\n\tHelmut \tLachenmann:\t<\/span> \tGuero (1970) for piano
\n\tHelmut \tLachenmann:\t<\/span> \tTrio fluido for clarinet, viola and percussion
\n\tHelmut \tLachenmann:\t<\/span> \tWiegenmusik (1963) for piano
\n\tMichalis \tLapidakis:\t<\/span> \tAdieu (2011) for quintet – WP
\n\tMatthias \tLeboucher:\t<\/span> \tSWIFT (2014), for flute, clarinet, violin, cello, piano and percussions
\n\tMoonhee \tLee: \t<\/span> \tHerumfummeln (2015-16) for flute and piano – WP
\n\tFred \tLerdahl:\t<\/span> \tImbrications (2000) for sextet
\n\tFelix \tLeuschner:\t<\/span> \tRequiem f\u00fcr einen Lebenden (2019) – Music theatre for three performers, ensemble and live electronics – WP
\n\tLei \tLiang:\t<\/span> \tGobi Canticle (2004) for violin and cello
\n\tLei \tLiang:\t<\/span> \tTrio (2002) for piano, cello and percussion
\n\tGenoel von \tLilienstern:\t<\/span> \tTop (2012) for sextet – WP
\n\tJung-A \tLim: \t<\/span> \tStreit und Kompromiss (2016) for alto flute
\n\tMagnus \tLindberg:\t<\/span> \tSteamboat Bill Jr. for clarinet and cello
\n\tGr\u00e9goire \tLorieux:\t<\/span> \tBrakhage Miniature (2010) for pianist and percussionist
\n\tBruno \tMaderna:\t<\/span> \tHoneyr\u00eaves (1961) for flute and piano
\n\tJulien \tMalaussena:\t<\/span> \tInterlaced (interrelated) (2015) for flute, violoncello and piano
\n\tUrsula \tMamlok:\t<\/span> \tArabesque (1961) for flute
\n\tUrsula \tMamlok:\t<\/span> \tSintra (1969) for flute and cello
\n\tTiziano \tManca:\t<\/span> \tParlando
\n\tTiziano \tManca: \t<\/span> \t[SENZA TITOLO] per flauto, clarinetto in sib, vibrafono e violoncello
\n\tAdam \tMaor:\t<\/span> \tUnderscore (2015) for flute, violoncello and piano
\n\tElo \tMasing:\t<\/span> \tstudies in resonance II ( 2012\/13) for piano
\n\tMichael \tMathieson-Sandars:\t<\/span> \techolalia (2013) for sextet \u2013 WP (with Kupka\u2019s Piano ensemble)
\n\tOlivier \tMessiaen:\t<\/span> \tLe merle noir (1952) for flute and piano
\n\tChristopher \tMitchell:\t<\/span> \tSpheres (2017) for flute, percussion, piano and cello – WP
\n\tMathias \tM\u00f8ller:\t<\/span> \tDmitri schrieb (2010) for violin, cello and percussion – WP
\n\tIsabel \tMundry:\t<\/span> \tSandschleifen for string trio, piano and percussion
\n\tTristan \tMurail:\t<\/span> \tTreize couleurs du soleil couchant (1978) for quintet
\n\tSergej \tNewski:\t<\/span> \tRules of Love (20212\/13) for soprano, alto and five instrumentalists
\n\tSergej \tNewski:\t<\/span> \tWut (2013) for quartet – WP
\n\tMarko \tNikodijevic:\t<\/span> \tgrid\/index [III] (2015) (premiere, commissioned by Alte Oper Frankfurt)
\n\tLuigi \tNono:\t<\/span> \t\u2026sofferte onde serene\u2026 for piano and tape
\n\tHelmut \tOehring:\t<\/span> \tKleemusik (2011)
\n\tHelmut \tOehring:\t<\/span> \tLeuchter, aus: Kurz im M\u00fcll gestochert (1994)
\n\tHelmut \tOehring:\t<\/span> \tMelencolia (2010\/12) for bass flute and piano
\n\tEmanuele \tPalumbo:\t<\/span> \tDue studi brulicanti (2013) for solo cello
\n\tDimitri \tPapageorgiou:\t<\/span> \tIn Pulses, in Strokes (2012) for sextet – WP
\n\tJung-eun \tPark: \t<\/span> \tRose – WP
\n\tJuan \tParra Cancino:\t<\/span> \tDeleuzApierre
\n\tJuan \tParra Cancino: \t<\/span> \tDeleuzApierre for bass flute and bass clarinet
\n\tLuke \tPaulding:\t<\/span> \tOrdination of verticals (2013) for sextet \u2013 WP (with Kupka\u2019s Piano ensemble)
\n\tMauricio \tPauly:\t<\/span> \tEl tel\u00e9fono en reposo pero atento (2015) for amplified ensemble and live electronics \u2013 WP
\n\tFrancesco \tPavan:\t<\/span> \tEsile (2011) for violin, cello and piano – WP
\n\tSilvia \tPepe:\t<\/span> \tparole, orage (2014) for quartet
\n\tRobert HP \tPlatz: \t<\/span> \tText aus \u201cStille\u201d (1980) for flute and piano
\n\tEnno \tPoppe:\t<\/span> \tGel\u00f6schte Lieder (1999) for quintet
\n\tEnno \tPoppe:\t<\/span> \tThema mit 840 Variationen (1993\/97) for piano
\n\tEnno \tPoppe:\t<\/span> \tTrauben (2004\/05) for violin, cello and piano
\n\tAndrea \tPortera:\t<\/span> \tImmor(T)al Caricatures for violin, cello and piano
\n\tRosalba \tQuindici:\t<\/span> \tIn corpi vaganti (2015) \u2013 WP
\n\tJavier \tQuislant Garcia:\t<\/span> \ttornasolando el flanco (2017-2018) for flute, clarinet, cello and piano – WP
\n\tNemanja \tRadivojevic:\t<\/span> \tPharos (2015) \u2013 WP
\n\tSteve \tReich:\t<\/span> \tClapping Music (1972) for two performers
\n\tLorenzo \tRestagno:\t<\/span> \tcold, empty glade (2013) for flute, cello and piano
\n\tLorenzo \tRestagno:\t<\/span> \tladyboy\u2019s wings (2014) for quintet
\n\tJeff \tRoberts:\t<\/span> \tBreaking Bamboo, Shaking Jade (2009)
\n\tSteve \tRouse:\t<\/span> \tDiamonds (1989) for violin
\n\tKaija \tSaariaho: \t<\/span> \tTerrestre (2002) for quintet
\n\tJos\u00e9 M. \tS\u00e1nchez-Verd\u00fa: \t<\/span> \tArquitecturas del L\u00edmite (2005-12)
\n\tJos\u00e9 M. \tS\u00e1nchez-Verd\u00fa: \t<\/span> \tTerritorio interior (2014) for violin, cello and piano
\n\tRebecca \tSaunders:\t<\/span> \tQuartet (1998)
\n\tGiacinto \tScelsi: \t<\/span> \tHyxos for flute, gongs and bells
\n\tNissim \tSchaul:\t<\/span> \tTrio (2010) for violin, cello and percussion
\n\tDieter \tSchnebel:\t<\/span> \tNostalgia II (1962) for conductor
\n\tDieter \tSchnebel: \t<\/span> \tPoem f\u00fcr 7 Arme from Zeichen-Sprache\/ Musik f\u00fcr Gesten und Stimmen
\n\tRobert \tSchumann: \t<\/span> \taus Kinderszenen op. 15: Von fremden L\u00e4ndern und Menschen \u2013 Hasche-Mann \u2013 Der Dichter spricht
\n\tRobert \tSchumann: \t<\/span> \tRomanze I, op.94 for flute and piano
\n\tRobert \tSchumann: \t<\/span> \tRomanze II, op.94 for flute and piano
\n\tRobert \tSchumann: \t<\/span> \tRomanze III, op.94 for flute and piano
\n\tBenjamin \tSchweitzer:\t<\/span> \tCamaieu (2010) for ensemble – WP
\n\tSalvatore \tSciarrino:\t<\/span> \tIl legno e la parola (2004) for bass marimba
\n\tSalvatore \tSciarrino:\t<\/span> \tLo spazio inverso (1985) for quintet
\n\tSalvatore \tSciarrino:\t<\/span> \tMelencolia I for violoncello and piano
\n\tMarko \tSlavi\u010dek: \t<\/span> \tFOR SALE: BABY\u2019S SHOES, NEVER WORN (2014) after a six-word novel attributed to Ernest Hemingway, for violin, violoncello, percussion and piano
\n\tLisa \tStreich:\t<\/span> \tZucker, for motorized ensemble
\n\tMarco \tStroppa:\t<\/span> \tOsja, seven strophes for a literary drone (2005\/2008) for violin, cello, piano
\n\tMarco \tStroppa: \t<\/span> \tAy, there\u2019s the rub (2001) for cello solo
\n\tJagoda \tSzmytka:\t<\/span> \tjust.before.after (2010) an audiovisual performance for puppet player, seven musicians and live el. – WP
\n\tJagoda \tSzmytka:\t<\/span> \tLimbo lander (2014) an audiovisual performance for six musicians, video and live el. – WP
\n\tJagoda \tSzmytka:\t<\/span> \tpores open wide shut (2013) for quartet – WP
\n\tDiego Jim\u00e9nez \tTamame:\t<\/span> \tdon\u2019t condescend (don\u2019t even disagree) (2014) for quintet
\n\tDaniela \tTerranova:\t<\/span> \tDi natura sottile (2016\/2019) for ensemble – WP of the new version
\n\tHans \tThomalla:\t<\/span> \tCello Counterpart (2006) for cello
\n\tJos\u00e9 Luis \tTora:\t<\/span> \tComment subdiviser les regards (2006)
\n\tRichard \tTrythall:\t<\/span> \tFantasy (2010) for piano
\n\tStefan \tUllmann:\t<\/span> \tRoyal March of Nibiru (2014), for flute, clarinet, glockenspiel, piano, violin and cello
\n\tHakan \tUlus:\t<\/span> \tA.Q.A.R. (2014) for ensemble and band
\n\tMariana \tUngureanu:\t<\/span> \tFibres Nord (2010) for sextet – WP
\n\tBart \tVanhecke:\t<\/span> \tCommentaire . . . Variation 20
\n\tBart \tVanhecke: \t<\/span> \tVariation XX \u2026 commentaire for small ensemble
\n\tNadir \tVassena:\t<\/span> \tcinque stanze buie for flute, cello and piano – UK premiere
\n\tMaya \tVerlaak:\t<\/span> \tHide & Seek (2019) for ensemble, computer keyboard and electronic – WP
\n\tDaniel \tVezza:\t<\/span> \tThe nature of evidence (2010) for flute, cello and piano – WP
\n\tJulien \tVincenot:\t<\/span> \tMOrphism 0.9.2a (2010) for sextet – WP
\n\tMelinda \tWagner:\t<\/span> \tWick (2012) for flute, clarinet, violin, cello, piano and percussion – Spanish Premiere
\n\tLars \tWerdenberg:\t<\/span> \tManoeuvres (2012) for piano solo \/ for flute, percussion and piano – WP
\n\tIannis \tXenakis: \t<\/span> \tRebonds b (1987-1988) f\u00fcr Schlagzeug solo
\n\tOnur \tY\u0131ld\u0131r\u0131m:\t<\/span> \tMus-I zaman (2012) for ensemble
\n\tOnur \tY\u0131ld\u0131r\u0131m:\t<\/span> \tupa.naxturu\u0161u (2013) for quartet – WP
\n\tJinpyeong \tYoo: \t<\/span> \tFour songs for Father – WP<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":1392,"menu_order":2,"comment_status":"open","ping_status":"open","template":"fullwidth.php","meta":{"footnotes":""},"class_list":["post-3265","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.ensembleinterface.com\/en\/wp-json\/wp\/v2\/pages\/3265","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.ensembleinterface.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.ensembleinterface.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.ensembleinterface.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.ensembleinterface.com\/en\/wp-json\/wp\/v2\/comments?post=3265"}],"version-history":[{"count":27,"href":"http:\/\/www.ensembleinterface.com\/en\/wp-json\/wp\/v2\/pages\/3265\/revisions"}],"predecessor-version":[{"id":4761,"href":"http:\/\/www.ensembleinterface.com\/en\/wp-json\/wp\/v2\/pages\/3265\/revisions\/4761"}],"up":[{"embeddable":true,"href":"http:\/\/www.ensembleinterface.com\/en\/wp-json\/wp\/v2\/pages\/1392"}],"wp:attachment":[{"href":"http:\/\/www.ensembleinterface.com\/en\/wp-json\/wp\/v2\/media?parent=3265"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}